I have, at times, been absorbed in my work to the point of complete self-oblivion. Once I worked for thirty-six hours without a break - to complete exhaustion; and while I was in the middle of it I didn't even notice.

There is a kinship between music and painting - with the same words used to describe both, as when a musical composition is said to have color and a painting to have rhythm.

My art career actually began under the kitchen table. My mother wanted to get me out of her hair while she cooked, so she laid out some paper and pencils on the floor under the kitchen table.

I live an artistic double life: one of classical realism and the other of aesthetic exploration.

It is the special privilege of the fine artist to reveal immediate data with a clarity, intensity and purity that promotes them to a special degree of reality.

Every canvas that can awaken us more exquisitely and accurately to the infinite and various surface of our experience does that much to sharpen life, and thereby render it more alive.

In the Fragments, sensations are more profound and richly clarified through deliberate and explicit pattern; emotions are given a sequence and development such as the exigencies of practical life rarely permit.