I have, at times, been absorbed in my work to the point of complete self-oblivion. Once I worked for thirty-six hours without a break - to complete exhaustion; and while I was in the middle of it I didn't even notice.

In the Fragments, sensations are more profound and richly clarified through deliberate and explicit pattern; emotions are given a sequence and development such as the exigencies of practical life rarely permit.

It is the special privilege of the fine artist to reveal immediate data with a clarity, intensity and purity that promotes them to a special degree of reality.

I live an artistic double life: one of classical realism and the other of aesthetic exploration.

Every canvas that can awaken us more exquisitely and accurately to the infinite and various surface of our experience does that much to sharpen life, and thereby render it more alive.

I can be so involved that I am no longer conscious of my needs or even of any pains. But there also have been many times when I felt the exhaustion - when it was physically painful, but I just couldn't stop.

Art is the lens through which I experience the world. Art is the medium to present the human condition... love, fear, bewilderment, pleasure, distaste, brotherhood and all the subtleties that we all know.