I think people have been obsessed with the wrong question, which is how do we make people pay for music? What if we started asking, how do we let people pay for music?

I had a real come-to-Jesus a couple of years ago when I started to see the direct line between feminism and everything else - feminism and climate change, feminism and poverty, feminism and hunger - and it was almost like I was born again and started walking down the street and was like, "Oh, my God, there are women everywhere! They're just everywhere you look. There's women all over the place!"

I think people have been obsessed with the wrong question, which is how do we make people pay for music? What if we started asking, how do we let people pay for music?

There's something advantageous about being a woman in rock versus, say, a woman in chemistry or construction. There's definitely a built-in sexism across the board, but I think you're afforded a degree of freedom in rock because, historically, the rules have been flexible.

The world needs actual excitement and emotion more than it needs cool people.

Comparing yourself to the people like you, comparing yourself to the people who aren't like you, looking at how many records you've sold, looking at the venue size you're selling out. None of that can even remotely measure how happy you are.

Donald Trump is going to make punk rock great again.