Mark and jay Duplass really like to improvise. Even if we beg them to go back to the script, they invariably ask us to go "off the rails," as they like to call it. It's just the way they work. You get a full written script. And it's really, really, really good, so that's why it's kind of peculiar that they always want you to improvise, because if I wrote something that good, I would want everyone to stick to the dialogue that was written.

He can't even be at a casual read and not be creating the whole thing in his mind. I remember feeling very awed about how much he still seems to be so in love with it, and so dedicated to making everything really real and really spontaneous.

I certainly don't believe in love at first sight. I definitely believe in a lot of chemistry and lust at first sight. I think that love is something that takes work.

If you're not willing to sound stupid you don't deserve to be in love.

Whenever I was with Kevin Pollak, I had to leave the room.

I would have done anything. I just really love the Duplass brothers. I was at a place where I was desperate for good writing. It wasn't the part that attracted me to it; it was just to be able to work with them. And the fact that she's this kind of, like, loose cannon and this kind of desperate 40-year-old is just the icing on the cake.

I wrote a play before that and it never saw the light of day. And then I started working on this play and it came out really quickly. Eventually I got it, and I wrote a letter to Sarah Jessica Parker and she wanted to do it. So that's how it happened.