You don't want to burn any bridges, but you also want to make sure you leave your character bridges wide open and you're never seen as one particular thing, or that's who you'll be, unfortunately, for the rest of your career.

I think the idea of embodying the physical presence of a character is the same on stage and screen. There are just different levels of expression to keep in mind for each platform.

Usually you read a script and you know somebody who knows somebody who maybe knew that person or met them once.

I think much of my inspiration comes from nature. I feel alive when I take a long hike with my dog or when I just spend time outdoors, appreciating the beauty of this world. I even feel alive and inspired when I walk through farmers markets appreciating and learning about local fruits and vegetables.

What a person feels within themselves and about themselves radiates from them. Trust me, I have worked with people - both men and women - who are not what most would consider conventionally attractive, but who exude such a magnetism about them that people are compelled to watch them on stage or screen.

For the first four years of my studying in the U.S., I couldn't go home for two reasons. One is I was afraid that if I left my student visa may not hold and I wouldn't be able to come back to continue. Second, there was this big outrage in China that I didn't know how to face the public.

I think one of the big challenges about science fiction is finding truth to relate to as an actor.