I feel like the world is dominated by such a small group of human beings. There are so many different kinds of people that aren't represented, that don't have characters who look like them. And that's one of the reasons why I intend on being a director, because I want to actually tell some of these stories. I also think that we place such intense emphasis on award shows when they're not necessarily the best reflection of how good the work is. We need to realize that art and creation are so much bigger than an award or any measure of accomplishment.

I think there's this great disconnect between youth culture and politics, which is a product of how our capitalist system works.

Growing up, I didn't receive the representation that I wanted so badly. I was always looking out for black characters - black women - that were specifically just about existing and weren't necessarily racialized or were centered around race.

Yes, there's something dangerous about turning people into token social activists. I was thinking about this recently with our pop-culture feminism, when feminism is such a buzzword in the media now. We're covering it in a way that we haven't before, but also in a way that's way more surface level. And while I think that there's some danger in that, I also think it's a great gateway for some people.

The state of the world terrifies me. It feels more powerful personally to fight it through larger actions as opposed to trying to fight the Trump administration itself. It's sort of self-preservation for my mental health. If I spend too much of my energy and my brain on Trump, I'd lose my mind.

I think part of growing up is not actually finding a fixed idea of who you are, but rather being like, "Oh, wait. I'm different all the time. I'm going to change every second and grow and be fluid." And that's okay.

I wonder how many college tuitions could be paid off with the amount of money spent by Minions on advertisement.