I think there are two sides of the coin. On one hand, it can be challenging to access different parts of yourself, and you kind of have to put yourself back into reality when you're done with the job. But I think it's also really cool to have the ability to try on being different people and to explore some parts of yourself because you get to know yourself better. You get to know parts of yourself that you haven't met before. I think that's something that I've been learning more recently.

I think there's this great disconnect between youth culture and politics, which is a product of how our capitalist system works.

There are so many different ways to make art. And so many good stories. You don't have to have a budget. I feel like it's super possible these days for people to make anything, no matter who you are or where you come from. And that's really exciting. I'm excited to see people around me pushing boundaries in that way, not letting certain structures define them or what art they can make.

I wonder how many college tuitions could be paid off with the amount of money spent by Minions on advertisement.

I love all kinds of art. I mean, I love sketching and acting and music.

I oftentimes receive the question, "What do you think is the most important social issue to focus on?" Or, "What's the most important component of identity? Is it gay rights or race or feminism?" And I'm like, "Well, they're all intertwined. It's all one conversation at the end of the day. You can't just pick one." I mean, people experience all kinds of prejudice because of all different parts of themselves. And that doesn't make one part more important than the other.

It's so important to create roles and characters and projects that feature black people in a way that's not specifically targeted toward the niche market, which is, like, a black movie is created and it's produced and pitched so that only black people will watch it ... I want to see dynamic characters and roles that everyone wants to watch.