The key quality all successful people share is the ability to inspire, to transfer our passion to other people and to bring them along with us in pursuit of our vision. I have to be able to inspire investors, actors and crews on a daily basis. What I recognize in other successful people is a similar ability to make their passion infectious.

What I hope is that this wider pattern of films about slavery that's emerging isn't just a fad but evidence that we've turned a corner as filmmakers of color and that we're moving forward in our confidence and in the film industry not being afraid of our telling these stories and in giving us the opportunity to bring our vision to the screen.

When I look in the mirror I see the woman I knew I wanted to be as a child. When I was a young girl, I had a vision of the woman I wanted to be. And I often reached out to women of color in America for inspiration. My mother would regularly buy Essence and Ebony. I would look at those magazines filled with images of professional, intelligent women of color who knew who they were, who enjoyed who they were, and who were surrounded by other people who enjoyed who they were. When I look in the mirror, I'm really glad that that's what I see today, but it took awhile to get here.

I knew I wanted to make a movie that looked decadent and expensive. I knew we would have to make every penny stretch and put as much of the budget onscreen as possible. So it starts with your heads of departments - your production designer, costume, hair and makeup designers. Picking the right people who were as committed as I was to telling the story as I was.

Don't take no as a full stop, treat it like a comma.

If you unite a couple on a joint fight, the question is, "Does it unite them literally, or does it weaken their love?" And if it weakens their love, is that true love? And if this is true love, then you know they should be united by their separation. It's their fight that brings them emotionally together while they're physically separated, and so, though there's physical separation, there is mental and emotional closeness.

I'm a girl, and I celebrate being a girl, and it was really important to me to celebrate the beauty that I could create in a movie like the one I did, aesthetically, in terms of the costumes and the production design. I wanted something big and lush and beautiful and unashamedly feminine.