You can take me and then you can take a blond white man with blue eyes, and you could say, "Fundamentally, they're different." And then I could talk to that white guy about the first time he lost someone close to his heart, and I could tell him about the first time I lost someone close to my heart, and I can guarantee you that at least 70 percent of the experienced feelings will be similar. We are human beings.

To really talk about African story, and teach this story, you have to teach that tribes were actually nations. You have to teach that chiefs were actually kings, with kingdoms. You have to teach that there was a structure that worked in Africa prior to colonialism. You have to teach that countries were colonized that were doing fine by themselves. And that's uncomfortable.

As people of color, we're left out of history. History is sort of told around us. We're bystanders, we're passive, we're observers. We're never the center of our history.

People assume thoughts and processes about you that may have nothing to do with you whatsoever, but they make political assumptions and assertions about who you are based on your choice of partner.

Don't take no as a full stop, treat it like a comma.

The reality is that we’re in very politicized times. The complete antithesis of Obama is Trump. We are in very polarized times. People are taking a very strong view after a period of time, I think, where people fell asleep on politics to a certain extent.

What I wanted to do was put a woman of color, front and center, in my movie combining a lot of themes that were relevant to both men and women. I actively wanted her to carry the weight of this movie because I'm a woman. And I actively wanted to explore many of the issues that affected her as a woman of color. That was very important to me. And although these issues affect some women of color, I don't think they're only of interest to women of color. They're of universal interest.