What I hope is that this wider pattern of films about slavery that's emerging isn't just a fad but evidence that we've turned a corner as filmmakers of color and that we're moving forward in our confidence and in the film industry not being afraid of our telling these stories and in giving us the opportunity to bring our vision to the screen.

The key quality all successful people share is the ability to inspire, to transfer our passion to other people and to bring them along with us in pursuit of our vision. I have to be able to inspire investors, actors and crews on a daily basis. What I recognize in other successful people is a similar ability to make their passion infectious.

People assume thoughts and processes about you that may have nothing to do with you whatsoever, but they make political assumptions and assertions about who you are based on your choice of partner.

As people of color, we're left out of history. History is sort of told around us. We're bystanders, we're passive, we're observers. We're never the center of our history.

Don't let a culture or society's rules define who you are; you define who you are.

There are important differences that mean we appreciate each other, not tolerate each other. Race creates this idea that there's this massive difference. So when you use race as a means to explore politics, it's a very interesting way of looking at difference, yet similarities.

You can take me and then you can take a blond white man with blue eyes, and you could say, "Fundamentally, they're different." And then I could talk to that white guy about the first time he lost someone close to his heart, and I could tell him about the first time I lost someone close to my heart, and I can guarantee you that at least 70 percent of the experienced feelings will be similar. We are human beings.