All my novels are rooted in their time and in their place. The place of my novels is Israel, almost without exception. Almost without exception, my novels are rooted in Israel because that's the place I know well. And, that's my gutsy advice to any young writer: write only about what you know well. Don't write about that which you don't know.

One of the things I wanted to introduce in The Same Sea beyond transcending the conflict, is the fact that deep down below all our secrets are the same.

The opposite of compromise is not integrity. The opposite of compromise is not idealism. The opposite of compromise is fanaticism and death.

Each time I have the urge in me to make a statement or send a message or to issue a manifesto, I don't bother to write a novel. I write an article and publish it in a popular newspaper, or I make a television appearance. I would not waste five years of my life in order to send to the Israeli readers a simple message such as, "Let us change a policy or stop the settlements," Or, "Let us strive for peace." This is not what it is about.

The only way to keep a dream, any dream at all, to keep a dream perfect and rosy and intact and unsullied is never to live it out. The moment you carry out any of your dreams or your fantasies - travel around the world, climbing a high mountain, buying a new house, writing a novel, carrying out a sexual fantasy, traveling to an unknown country - the moment you carry out your dreams, it's always, by definition less perfect and rosy than it had been as a dream. This is the nature of dreams.

A long war is degenerating - it ruins the mind and the soul and psyche of individuals and nations.

My musical instrument is Hebrew and, to me, this is the most important fact about my writing. I write in words. I don write in sounds or in shapes or in flavors. I write in words. And my words are Hebrew words.