I think there are one or two things similar in Elizabethan English and contemporary Hebrew. This is not to say that every one of us Israeli writers is a William Shakespeare, but there is a certain similarity to Elizabethan English.

I follow the way people change. I follow the way people, who are very antagonized to one another become very close to one another and vice-versa. Sometimes I follow the way people who are intimately close to each other move apart. This is my business as a novelist. It is not about positions and ideas.

One of the things I wanted to introduce in The Same Sea beyond transcending the conflict, is the fact that deep down below all our secrets are the same.

The reconciliation is not based on the fact that one of the characters opens his eyes and says, "O brother! O sister! How terrible I was! How right and wonderful you were! Please forgive me! Let's hug and love each other from now until the rest of eternity!" This is not the kind of reconciliation I write about; I write about sad, sober, sometimes heart-breaking compromises.

Universally, not only in Israel, people want to feel good about themselves. We all want to feel good to some extent.

The Israeli-Palestinian conflict is a tragedy; it is a clash between right and right. And, therefore it's not black and white. Sometimes, recently it is indeed a clash between wrong and wrong. It is not as simple as fascism was.

The whole Zionist project was based on a whole spectrum of different and even conflicting dreams and visions.