Of course my books are translated into many languages. I have here, in my home, translations on my shelf of my books into forty-five different languages. Almost none of them I can read. I can read only the English editions. But, I know that a translation of a work of literature is like playing a violin concerto on the piano. You can do this. You can do this very successfully on one strict condition: never try to force the piano to produce the sounds of the violin. This will be grotesque. So, different musical instruments provide for different music.

In many ways, I regard Sharon and Arafat as birds of a feather.

I prefer to talk about the gift of literature rather than its role or task.

I think there are one or two things similar in Elizabethan English and contemporary Hebrew. This is not to say that every one of us Israeli writers is a William Shakespeare, but there is a certain similarity to Elizabethan English.

If people are pro-Israel, they are pro-Israel one-hundred-and-twenty percent. If they are anti-Israel or pro-Palestinian, they tend to be pro-Palestinian one-hundred-and-twenty percent.

My dream for Israel is peace, external and internal peace. I want Israel to live in peace with its neighbors and in peace with itself.

Many intellectuals in America and in Europe, they are in the habit of taking sides: who are the bad guys? who are the good guys? They launch a demonstration against the bad guys, sign a petition in favor of the good guys, and going to sleep feeling well about themselves. This is not the case here. The Israeli-Palestinian conflict is a tragedy; it is a clash between right and right.