I would not waste five years of my life in order to send to the Israeli readers a simple message such as, "Let us change a policy or stop the settlements," Or, "Let us strive for peace." This is not what it is about.

Different musical instruments provide for different music.

Black Box is not a statement about injustice committed against Sephardi Oriental Jews or about the extremism of religious Jews or the lack of imagination of the old Israeli elites. It's a human story, in my view, first and foremost about a mystical communion between enemies. This is the inner story of the novel. This is my business as a novelist. It is not about positions and ideas.

The reconciliation is not based on the fact that one of the characters opens his eyes and says, "O brother! O sister! How terrible I was! How right and wonderful you were! Please forgive me! Let's hug and love each other from now until the rest of eternity!" This is not the kind of reconciliation I write about; I write about sad, sober, sometimes heart-breaking compromises.

Writing a poem is like having an affair, a one-night stand; a short story is a romance, a relationship; a novel is a marriage-one has to be cunning, devise compromises, and make sacrifices.

My dream is much more modest than the dreams of the founding fathers. My dream is for Israel to live in peace with its neighbors and at peace with itself. This will be sufficient for me.

It is wrong to take an 18-year-old boy or girl and arm them with machine guns and make them the almighty king of some little Arab village. No young man, and no old man either, should have so much power over the life and death of so many helpless individuals. It is corrupting. It sometimes provokes desperate, savage and indiscriminate violence among the occupied.