In my essays and articles I have been saying again and again that the case of Israel and Palestine, the case of Israel and the Arab world, and indeed the case of Israel and Europe, is not black and white. It's not a western movie.

I don't write novels about expeditions to the planet Mars because I haven't been there and I don't know anything about it.

We got a wonderful present from Stalin and Hitler that they never meant to give us. We were immune for 60 years or so to aggression, racism and militarism. They made us partly immune to these things. Now it appears this Stalin-Hitler present has reached its expiration date. We were spoiled by this. So maybe we are just emerging out of a relatively golden age.

Literature belongs first and foremost to the language in which it is being written. The very same book, even if it is translated very accurately, let's say from Hebrew into English or from English into Hebrew, becomes a different book because language is a musical instrument.

I follow the way people change. I follow the way people, who are very antagonized to one another become very close to one another and vice-versa. Sometimes I follow the way people who are intimately close to each other move apart. This is my business as a novelist. It is not about positions and ideas.

My dream for Israel is peace, external and internal peace. I want Israel to live in peace with its neighbors and in peace with itself.

In some of the Israeli media, but not all, they read about very nasty things done by Israeli settlers and soldiers to Palestinian Arabs. This is a pain in the neck for many Israelis. They say: Leave us alone, what can we do about it? Or they say: Look at Syria, look at Iraq, the West Bank is paradise by comparison. I was one of the first to say, shortly after the Six-Day War, that occupation is corrupting. It corrupts the occupier and, in a different way, it corrupts the occupied.