The very same book, even if it is translated very accurately, let's say from Hebrew into English or from English into Hebrew, becomes a different book because language is a musical instrument.

If people are pro-Israel, they are pro-Israel one-hundred-and-twenty percent. If they are anti-Israel or pro-Palestinian, they tend to be pro-Palestinian one-hundred-and-twenty percent. I don't think a decent person has to choose between being pro-Israel and pro-Palestine. I think you have to be pro-Peace.

I would love to leave my children and grandchildren a nicer world than the one I am going to leave them. But bearing in mind that I was born in the world of Hitler, Mussolini and Franco, the legacy I leave them might not be as terrible as the legacy my parents and grandparents left to me.

What is likely to happen? Either an escalation of violence or an entire change in the whole Middle East theater. It may well happen, and I say this to my Palestinian friends, that the Palestinians have in a certain way missed their hour. They had their moment when the world's public opinion was behind them, and a considerable part of the Israeli public was willing to compromise with them.

Israel of the coastal plain, where eight out of ten Israeli Jews live far removed from the occupied territories, from the fiery Jerusalem, from the religious and nationalistic conflicts, is unknown to the outside world, almost unknown to itself.

I wrote The Same Sea not as a political allegory about Israelis and Palestinians. I wrote it about something much more gutsy and immediate. I wrote it as a piece of chamber music.

Democracy in many parts of the world is undergoing a very deep crisis. Politics is becoming a branch of the entertainment industry. People vote not for the best leader, but for the funniest candidate.