I've gotten a lot more comfortable with the audition process, but there's something that really turned me off initially when I was younger, to auditioning. The idea that I couldn't get to the person that was actually making the film really frustrated me.

I was doing experimental theater and experimental film in San Francisco, and I moved to Los Angeles, and what I got frustrated with was, it seemed like everyone was waiting for something to happen. Obviously, films take a lot of planning, and I wanted something more immediate, and comedy started to become that.

I'd meet a new filmmaker that I'd always loved, and I'd think, "Great! I'm in the right place." It's a weird way to look at it, but I don't care as long as I'm able to make stuff that I want to make.

I wish I could tell people what I'm directing next, but I can't.

I live in Florida and people are crazy here. And I say that lovingly.

I don't think that there's necessarily a side to drama that has to be completely bleak. You have to have a flicker of humor 'cause everyone has a flicker of humor, something they find funny in life.

I've seen comedians make people laugh by being either really dark and sad and touching, or really strange and bizarre and creepy. You can take the format and do whatever you want with it, and that seemed interesting to me.