It helps, if you've directed, to be able to write a script that is director-friendly. You're really telling them [directors], "This is how it works on this show." It takes some of the guesswork out of it.

These television shows that have 14 shots of somebody looking at each other with the wind blowing through their hair drive me insane.

Well, I took ballet for many, many years, so my whole childhood really revolved around dance class. I grew up around dance; my mother was a dancer.

I think music on television is just uniformly dreadful. It is mundane, it says nothing.

It helps, if you've directed, to be able to write a script that is director-friendly. You're really telling them [directors], "This is how it works on this show." It takes some of the guesswork out of it.

This business [moviemaking] isn't easy. It's a hard business. You just keep plugging away until you figure it out. You write something you love and keep banging on people's heads until somebody lets you do it.

The problem is that if we had known Satan was taking over the world we would have needed a whole other budget for, like, dragons and flying demons and, you know, like the sun disappearing from the world. Winter is coming. It would have been so expensive the way we would have needed to do it, had we known that the apocalypse was coming.