He asked if he could recite a poem he had written that morning: 'You speak,' he said, 'the language of shooting stars, more surprising than sunrise, more brilliant than the sun, as brief as sunset. I want to follow its trail to eternity.
Amy TanI saw what I had been fighting for: It was for me, a scared child, who had run away a long time ago to what I had imagined was a safer place. And hiding in this place, behind my invisible barriers, I knew what lay on the other side: Her side attacks. Her secret weapons. Her uncanny ability to find my weakest spots. But in the brief instant that I had peered over the barriers I could finally see what was finally there: an old woman, a wok for her armor, a knitting needle for her sword, getting a little crabby as she waited patiently for her daughter to invite her in.
Amy TanBut later that day, the streets of Kweilin were strewn with newspapers reporting great Kuomintang victories, and on top of these papers, like fresh fish from a butcher, lay rows of people - men, women and children who had never lost hope, but had lost their lives instead.
Amy TanClichรฉs are static, the emotion behind them long spent. If you are tempted to use them, here is a saying of my motherโs: Fang pi bu-cho, cho pi bu-fang. Basically that translates to: "Loud farts donโt stink, and the really smelly ones donโt make a sound." In other words: When youโre full of beans, you just blow a lot of hot air. If you want to have a real impact, be deadly but silent. Oh, also recognize the difference between a bad clichรฉ and a good quotation. My motherโs saying is a good quotation. You should use it often.
Amy Tan