Her education only made her unhappy thinking about it - that no matter how much she changed her life, she could not change the world that surrounded her.

She would be quiet at first. Then she would say a word about something small, something she had noticed, and then another word, and another, each one flung out like a little piece of sand, one from this direction, another form behind, more and more, until his looks, his character, his soul would have eroded away . . . I was afraid that some unseen speck of truth would fly into my eye, blur what I was seeing and transform him from the divine man I thought he was into someone quite mundane, mortally wounded with tiresome habits and irritating imperfections.

Even though I was young, I could see the pain of the flesh and the worth of the pain.

I AM A PERSON WHO THINKS ABOUT THE NATURE OF THE SPIRIT WHEN I WRITE. I THINK ABOUT WHAT CAN'T BE KNOWN AND ONLY IMAGINED. I OFTEN SENSE A SPIRIT OR FORCE OR MEANING BEYOND MYSELF. I LEAVE IT OPEN AS TO WHAT THE SPIRIT IS, BUT I CONTINUE TO MAKE GUESSES.

My mother imparted her daily truths so she could help my older brothers and me rise above our circumstances. We lived in San Francisco's Chinatown. Like most of the other Chinese children who played in the back alleys of restaurants and curio shops, I didn't think we were poor. My bowl was always full, three five-course meals every day, beginning with a soup full of mysterious things I didn't want to know the names of.

The forbidden things were a great influence on my life. I was forbidden from reading A Catcher in the Rye.

That is the nature of endings, it seems. They never end. When all the missing pieces of your life are found, put together with glue of memory and reason, there are more pieces to be found.