Mothers have the huge influence, and I feel like they're always teaching us from the day we're born what to be afraid of, what to be cautious of, what we should like and what we should look like. Then we spend half of our life trying to be not like them, and then we reach another part of our lives where we see these things we can't get rid of.

I think we often write because we feel a loneliness, and people read for the same reason, and then they come away feeling a little less lonely.

I saw what I had been fighting for: it was for me, a scared child.

My favorite anything is always relative to the context of present time, place and mood. When I finish a book and want to immediately find another by the same author and no other, that author is elevated to my favorite.

Yet some of my friends tell me they understand 50 percent of what my mother says. Some say they understand 80 to 90 percent. Some say they understand none of it, as if she were speaking pure Chinese. But to me, my mother's English is perfectly clear, perfectly natural. It's my mother tongue. Her language, as I hear it, is vivid, direct, full of observation and imagery. That was the language that helped shape the way I saw things, expressed things, made sense of the world

how can the world in all its chaos come up with so many coincidences, so many similarities and exact opposites?

I had always assumed we had an unspoken understanding about these things: that she didn't really mean I was a failure, and I really meant I would try to respect her opinions more. But listening to Auntie Lin tonight reminds me once agian: My mother and I never really understood one another. We translated each other's meanings and I seemed to hear less than what was said, while my mother heard more. No doubt she told Auntie Lin I was going back to school to get a doctorate.