It is a sign of great inner insecurity to be hostile to the unfamiliar.

To mistake ugliness for reality is one of the frauds of the realistic school [of writing]. A hunger for the unknown and an aspiration toward beauty were inseparable from civilization. In America the word art was distorted to mean artificial.

The unknown was my compass. The unknown was my encyclopedia. The unnamed was my science and progress.

The possession of knowledge does not kill the sense of wonder and mystery. There is always more mystery.

Don't say anything, because I see that you understand me, and I am afraid of your understanding. I have such a fear of finding another like myself, and such a desire to find one! I am so utterly lonely, but I also have such a fear that my isolation be broken through, and I no longer be the head and ruler of my universe. I am in great terror of your understanding by which you penetrate into my world; and then I stand revealed and I have to share my kingdom with you.

Something is always born of excess: great art was born of great terror, great loneliness, great inhibitions, instabilities, and it always balances them.

The imagination is far better at inventing tortures than life because the imagination is a demon within us and it knows where to strike, where it hurts. It knows the vulnerable spot, and life does not, our friends and lovers do not, because seldom do they have the imagination equal to the task.