There were always in me, two women at least, one woman desperate and bewildered, who felt she was drowning and another who would leap into a scene, as upon a stage, conceal her true emotions because they were weaknesses, helplessness, despair, and present to the world only a smile, an eagerness, curiosity, enthusiasm, interest.

Poverty is the great reality. That is why the artist seeks it.

At first she beckoned and lured one into her world; then, she blurred the passageways, confused all the images, as if to elude detection.

Nature forms us for ourselves, not for others; to be, not to seem.

When I stand at the top of the Champs-Elysées, with its chestnut trees in flower, its undulations of shining cars, its white spaciousness, I feel as if I were biting into a utopian fruit, something velvety and lustrous and rich and vivid.

The personal life deeply lived always expands into truths beyond itself.

The true liberation of eroticism lies in accepting the fact that there are a million facets to it, a million forms of eroticism, a million objects of it, situations, atmospheres, and variations. We have, first of all, to dispense with guilt concerning its expansion, then remain open to it's surprises, varied expressions, and mingle it with dreams, fantasies, and emotion for it to attain its highest potency.