I was a child when the March on Washington led by Martin Luther King occurred, and I wanted to hear what was going on. I wanted to be a part of it. I wanted to contribute in the best way I possibly could.

I think all the roles I've played really center around either the great conflict or how the great conflict affects the people that I love. I've been cast often as a hard-nosed, hyper-confident guy.

I just like the joyous aspect of playing comedy.

But only if I believe that my directing talents will improve the material I'd be working on. I want to make sure I don't sacrifice beautiful material on the altar of my direction.

Often times people complain about the lack of time in television, but I have to say, you don't have any more time to film in feature films then you do in television. It's just a question of how many scenes you'll be doing in the course of a day.

Cops and robbers resemble each other, so there's not a lot to learn in terms of learning the logistics of committing the crime or investigating the crime.

To me, the psychology behind the character is critical. So I work very hard to get into the mind of the man that I'm going to be playing, because number one, I want to understand why he's doing what he's doing. It's essential, it's absolutely essential.