My own sense of the world is that very little is absolute or black and white or easily understood. I suppose in all my writing I'm trying to cast the reader into this spiritually ambivalent dream world, which hopefully mirrors more honestly the complex reality we find ourselves in.

I got a degree in sociology, didn't read much fiction in college, and I was a pretty political, left-wing type of guy. I wanted to do some kind of work in social change and make things better for the poor man, and I was very romantic and passionate about it.

It is not hard to live through a day, if you can live through a moment.

I feel that writers think with their noses to the ground, and the dark stuff kind of comes to me more, even though I really am sort of an upbeat guy. It's an honest descent into darkness. And you can't have the joy without the grief - it's why we listen to Mozart's 'Requiem.'

Proportion is all; and, in sports at school, I lost it by surrendering to the awful significance of my self-consciousness. Shyness has a strange element of narcissism, a belief that how we look, how we perform, is truly important to other people.

I have always known that writing fiction had little effect on the world; that if it did, young men would not have gone to war after The Iliad.

My mother was making $135 a week, but she had resilience and imagination. She might take frozen vegetables, cook them with garlic, onion and Spam, and it would taste like a four-star dinner.