Things maybe take longer usually when it comes to TV - especially network TV. There are usually multiple levels that you have to go through in terms of the casting director, the producers, the studio, the network, reading with other people.

The way people are responding to [Moonlight movie] is something we never anticipated. We knew it was good but it is so diverse. The way people are reacting shows me that everyone sees themselves in it. That is groundbreaking. Similarly people come up some older people that it is not their story but are just crying in our arms after a screening. They know what it was like to be bullied or struggled with their own identity trying to figure out who they are. It has really caught people's imaginations.

I had a cheat sheet because I knew Tarell [Alvin McCraney]. His movie is largely autobiographical. I knew about certain events in his life and some of the people he talks about. I had visited the place where he lived many times so I understood innately what that was.

I want to shift my career back to shows like The Knick. I prefer the classic drama structure.

Historically it has been a touchy subject, especially in the south where I am from, people don't really talk about it. If they do talk about it, it is often talked about negatively. Nowadays in light of the Black Lives Matter movement I think people should pay attention to these lives also. I think the Black community will really embrace the film [Moonlight]. It is about us. It is real.

I have worked with Tarell Alvin McCraney, who is the play Moonlight is based on. He's a company member at Steppenwolf. I have done a could of his plays here.

I wanted to work with Barry [ Jenkins]. I am a big fan of his from Medicine for Melancholy years ago. Tarrell [Alvin McCraney] is my favorite playwright. I will do anything he asks. The characters were so clearly drawn and three dimensional. It was an easy thing to say yes to.