I definitely want to work with people who are artists and who are interested in being their best version of themselves.

I have known Tarell Alvin McCraney for ten years but the involvement with Moonlight came more with Barry Jenkins, the director. He was a fan of the show I did called The Knick. He was also with Plan B Entertainment, who produced Selma. That is how I got involved.

I definitely want to work with people who are artists and who are interested in being their best version of themselves.

It [Moonlight movie] deals with drug addiction, drug dealing, and single parenthood, but they are three dimensional characters. You understand where they are from and what they are trying to do with their lives. It is not a stereotype that has been pasted onto somebody. These are stories that come from Barry's [ Jenkins] and Tarell's [Alvin McCraney] mothers.

I went down and spoke to some of the people who lived in the neighborhood in Miami. At the end of the day I think my connection with Tarell [Alvin McCraney] is what helped me the most.

I want to shift my career back to shows like The Knick. I prefer the classic drama structure.

The policies enacted during segregation are still being felt in Birmingham.