We are born into a world in which sexual possibilities are narrowly circumscribed. . . . We are programmed by the culture as surely as rats are programmed to make the arduous way through the scientist's maze, and that programming operates on every level of choice and action.

Genocide begins, however improbably, in the conviction that classes of biological distinction indisputably sanction social and political discrimination.

In her heart she is a mourner for those who have not survived. In her soul she is a warrior for those who are now as she was then. In her life she is both celebrant and proof of women's capacity and will to survive, to become, to act, to change self and society. And each year she is stronger and there are more of her.

Surely the freedom of women must mean more to us than the freedom of pimps.

So you go away from where you were afraid. Some stay; some go; it's a big difference, leaving the humiliations of childhood, the morbid fear. We didn't have much to say to each other, the ones that left and the ones that stayed. Children get shamed by fear but you can't tell the adults that; they don't care. They make children into dead things like they are. If there's something left alive in you, you run. You run from the poor little child on her knees; fear burned the skin off all right; she's still on her knees, dead and raw and tender.

The cultural institutions which embody and enforce those interlocked aberrations-for instance, law, art, religion, nation-states, the family, tribe, or commune based on father-right-these institutions are real and they must be destroyed.

The traditional flowers of courtship are the traditional flowers of the grave, delivered to the victim before the kill. The cadaver is dressed up and made up and laid down and ritually violated and consecrated to an eternity of being used.