I think people who agree with Donald Trump have repeatedly made the case that he should be able to say whatever he wants to say, it's time someone did that. But as we go and speak to the kids, the young people who are reading March, we see the fear, we hear them tell us how scared they are.

I think this ['March']is essential reading to understand the Black Lives Matter movement. I think it's also essential reading for the Black Lives Matter movement, so that they understand the political context that they're engaging in.

I spent 10 years in professional politics and eight writing comics, and so I look at it from both sides. I don't understand the logic in being frustrated with a system, so you choose to be a part of the reason why the system is so frustrating. If everybody voted, it wouldn't be this way.

I think ['March'] is not just for the Black Lives Matter movement. It's for everyone. We all have to understand what happened then, so we can understand what's happening now.

My father was a Muslim immigrant; when Donald Trump started talking about banning Muslim immigrants from this country, I grew my beard out. My mother hated it. She never wanted me to look particularly "Muslim." She thought if I grew my beard out that people would know, right? "Don't make it hard for yourself. Don't let people know."

You have such a sacred responsibility when you touch John Lewis's story, when you touch the story of the movement. You don't want to leave anything out, but you want to tell a good story so the people will read it and they're engaged and they don't fall apart with extraneous details.

It's important to realize that the series actually grows with the reader. "March: Book One" is a great introduction for kids as young as eight or nine years old. But then they grow with the reader. Book Two is bigger, Book Three is even bigger. And they grow more violent and more confrontational.