People forget that many of the aspects of the Selma campaign were laid out in response to the church bombing in Birmingham.

I spent 10 years in professional politics and eight writing comics, and so I look at it from both sides. I don't understand the logic in being frustrated with a system, so you choose to be a part of the reason why the system is so frustrating. If everybody voted, it wouldn't be this way.

We don't want to just tell [students] who the people are, we don't want to just tell them what happened - we want to show the process by which it formed itself.

I spent almost two years working on this book ['March'] before we ever had a publisher, before we ever had a title. And when you're reading it, and you're writing it, and you're ingesting it, sometimes a single word just comes up over and over and over again. And if you're trying to capture the essence of what it is you're trying to tell, you don't have a whole lot of space.

The parts of the [Civil Right] Movement we recognize so well now were not born from a single decision, but were a complicated and messy evolution of ideas and spirits, coming together after a long, hard struggle to triumph in moments when the odds seemed the longest.

This generation is different. They are not as interested in chasing money or material possessions. I believe that this generation is more interested in seeking social change and a more just society than any generation since those that brought about the civil rights movement and the struggles for human dignity of the 1960s.

You have such a sacred responsibility when you touch John Lewis's story, when you touch the story of the movement. You don't want to leave anything out, but you want to tell a good story so the people will read it and they're engaged and they don't fall apart with extraneous details.