My father was a Muslim immigrant; when Donald Trump started talking about banning Muslim immigrants from this country, I grew my beard out. My mother hated it. She never wanted me to look particularly "Muslim." She thought if I grew my beard out that people would know, right? "Don't make it hard for yourself. Don't let people know."

I think this ['March']is essential reading to understand the Black Lives Matter movement. I think it's also essential reading for the Black Lives Matter movement, so that they understand the political context that they're engaging in.

I spent 10 years in professional politics and eight writing comics, and so I look at it from both sides. I don't understand the logic in being frustrated with a system, so you choose to be a part of the reason why the system is so frustrating. If everybody voted, it wouldn't be this way.

I went on to write my graduate thesis on the ["Montgomery Story"] comic book itself. It was the first long-form history that was ever written about it. And it's how I found out Martin Luther King actually helped edit "Martin Luther King and the Montgomery Story."

One of the biggest challenges for us is that people have different accounts. People say different things happened at different times, and when you're trying to sort through all that, how do you decide what's right?

This generation is different. They are not as interested in chasing money or material possessions. I believe that this generation is more interested in seeking social change and a more just society than any generation since those that brought about the civil rights movement and the struggles for human dignity of the 1960s.

You have such a sacred responsibility when you touch John Lewis's story, when you touch the story of the movement. You don't want to leave anything out, but you want to tell a good story so the people will read it and they're engaged and they don't fall apart with extraneous details.