"March" was inspired by "Martin Luther King and the Montgomery Story." I actually first heard about that comic from John Lewis, who told me that it played an important role in the movement. And so once he told me about that, it made me start thinking, "Well, why doesn't John Lewis write his own comic book?".

I think ['March'] is not just for the Black Lives Matter movement. It's for everyone. We all have to understand what happened then, so we can understand what's happening now.

I hope March is a guide for today's activists. It took raw courage for young people to volunteer to go to Mississippi in the summer of 1964, and unrelenting faith in the power of democracy to organize such a massive campaign.

We're [also] trying to talk to a generation who grew up on the Internet. They're digital natives, and, essentially, they speak through sequential storytelling. I mean, a good comic-book panel is not that much different than a meme.

I have been a comic book fan nearly all my life. My fascination began as a refuge after my father left because it was within the stories told in comics that I could find heroes who fought for justice and where outcasts or misfits could find purpose and commonality. But over time I have come to love comics as a medium for its ability to tell stories with tremendous depth and emotion that in some ways go beyond what is possible solely with the written word.

It's important to realize that the series actually grows with the reader. "March: Book One" is a great introduction for kids as young as eight or nine years old. But then they grow with the reader. Book Two is bigger, Book Three is even bigger. And they grow more violent and more confrontational.

We chose to frame "March" around the inauguration of Barack Obama because it was such an important moment in the story of the Civil Rights Movement. It wasn't the fulfillment of Dr. [Martin Luther] King's dream, but it was a major down payment.