It's unfortunate that the country of immigrants has turned its back on immigrants. The atmosphere after 9/11 is toxic.

It's unfortunate that the country of immigrants has turned its back on immigrants. The atmosphere after 9/11 is toxic.

After twenty years and thirty stories, thirteen pieces were finally selected and the collection was born. So far, the blurbs from [authors] Maxine Hong Kingston, Gish Jen, Robert Olen Butler, Oscar Hijuelos and others, have been most encouraging.

I thought, "Wow, English is like magic." It not only shattered my voice, it changed me physiologically. I believed this for months ... There's magic in the language. I never fell out of the enchantment.

As a Vietnamese refugee who became an American writer, I can tell you that you matter, that your sadness matters, the story of how you survived and triumphed matters. For every story that belongs to you, in time, belongs to America.

That experience of losing home, longing for home, that yearning for meaning and rootedness and identity in a floating world, it's what often makes an immigrant story into an American story .

All three of my books, "Perfume Dreams: Reflections on the Vietnamese Diaspora," "East Eats West: Writing in Two Hemispheres," and "Birds of Paradise Lost," are immigrant narratives - their dreams, their traumas, their struggles - and I write them with the confidence that these stories, written from the heart, will belong, in time, to America.