In fiction, it's as if you enter a dream world that you created, but your characters have their own free will. They don't do what you want them to do - they get into trouble, do drugs, fight over petty things, and do outrageous things that you wouldn't want your children to do. In other words, you can only provide the background, the seeds - in my case the background of the Vietnamese refugee.

America's story is largely an immigrant story. That hasn't changed since the Pilgrims ate their first turkey some four hundred years ago, and they were the original boat people.

Isn't the first story told in the West about the Fall? Adam and Eve were immigrants too from somewhere, a lost Eden, a paradise lost. We all now are so mobile, so nomadic .

As a Vietnamese refugee who became an American writer, I can tell you that you matter, that your sadness matters, the story of how you survived and triumphed matters. For every story that belongs to you, in time, belongs to America.

Art is the lesser sister to medicine. It aims to heal.

After twenty years and thirty stories, thirteen pieces were finally selected and the collection was born. So far, the blurbs from [authors] Maxine Hong Kingston, Gish Jen, Robert Olen Butler, Oscar Hijuelos and others, have been most encouraging.

Where are the leaders who can speak to the idea that it is not alien to American interests, but very much in our socioeconomic interests - not to mention our spiritual health - to integrate immigrants, that our nation functions best when we welcome newcomers and help them participate fully in our society?