To learn to draw is to draw and draw and draw.
To any man who has slaved to acquire skill in his art, it is most irritating to have his ability referred to as a “gift.”
Art without color would lose much of its purpose.
A head is not drawn until you can feel the unseen side.
It is ten per cent how you draw, and ninety per cent what you draw.
Observation and study are necessary to achieve mastery of light and form