To learn to draw is to draw and draw and draw.

To any man who has slaved to acquire skill in his art, it is most irritating to have his ability referred to as a “gift.”

It is ten per cent how you draw, and ninety per cent what you draw.

A head is not drawn until you can feel the unseen side.

The difficulties of not knowing are always much greater than the effort of learning.

Art without color would lose much of its purpose.

Observation and study are necessary to achieve mastery of light and form