If you don't think a film looks good then that is just a reflection of how bad the artist was that was using the paint that is really good.

If you don't think a film looks good then that is just a reflection of how bad the artist was that was using the paint that is really good.

A major threshold is passed when you mature enough to acknowledge what drives you, and to take the wheel and steer it.

The way Pixar has always worked is that we think of an idea and then we make it. We don't develop lots of ideas and then pick one.

I mean, frankly, I'm not speaking as a representative of Disney or Pixar, I'm speaking as just myself as a filmmaker: I don't go into anything that often thinking about a sequel.

There's nothing that you like in this world that wasn't influenced by a bunch of key things; nothing came completely clean out of a vacuum.

In storytelling, the audience actually wants to work for their meal, they just don't want to know that they're doing it.