I have listened to college radio quite a lot. I never went to college, so actually the college radio station is sort of like the closest I got to some kind of college experience.

When people do things to make your dream come true, you owe them in one way or another. Everyone understands that for every dream that comes true for you, there might not be a dream coming true for someone else. When we trade one wish for another, there's a price to pay. It works like that

Festivals are unique. They can be the best of times or the worst. You're not playing to the converted. But those are the best shows - to see if you can make new friends and entertain them.

I think that deprecation part is a very important aspect because when someone looks into themselves, if they're going to be honest, they're going to see parts that are humiliating as well as parts that they might feel really great about. Take Lucas Samaras again, who made a lot of self-portraits. He makes one self-portrait where he is looking directly into the camera and looks so intense and cool. He says in an interview, "I wanted to present the best version of myself."

I remember when I first moved to New York, people said, "Wow, man! You're so great. You have all these hopes and dreams, but it's going to be sad when you realize how the world really works!" But one of the things I love most about this city is that everyone who moves here is being unreasonable. There's a sense of solidarity about that.

If pizza brings you joy, then by all means, love that pizza like your life depends on it. Because it does.

In fine arts, when you make a painting, it's just a painting. But if you make a painting in the entertainment industry, it can be an album cover or a t-shirt or a logo. I like that entertainment has this usefulness - that it's ultimately trying to make a bunch of people feel something, and to think about life and be able to use things that were so simple and direct but potentially have a really powerful effect.