I don't think that there is anything that is really magical unless it has a terrifying quality.

If somehow I can, before I leave this earth, combine my absolutely mad freedom and excitement with truth, then I will have done something.

It's all in how you arrange the thing... the careful balance of the design is the motion.

Don't overdo it, don't underdo it. Do it just on the line.

I'm not at all interested in painting the object just as it is in nature. Certainly I'm much more interested in the mood of a thing than the truth of a thing.

I prefer winter and fall, when you feel the bone structure of the landscape. Something waits beneath it; the whole story doesn't show.

I dream a lot. I do more painting when I'm not painting. It's in the subconscious.