It's a moment that I'm after, a fleeting moment, but not a frozen moment.
Don't overdo it, don't underdo it. Do it just on the line.
To be interested solely in technique would be a very superficial thing to me.
I am not a juicy painter.
I prefer winter and fall, when you feel the bone structure of the landscape. Something waits beneath it; the whole story doesn't show.
I think a person permeates a spot, and a lost presence makes the environment timeless to me, keeps an area alive. It pulsates because of that.