Art is not some sort of guideline for understanding. It's a thing unto itself.

What I know is that I am honest about my films, and my films are honest about reality. The stories themselves dictate the way that they should be told.

I wouldn't say I'm fixated on describing any kind of relationship whether it is a father and a son, or a family. I don't like it when people say that I'm particularly following the same line or that I'm only interested in family dramas. I'm interested in human relationships. The most intimate, the most delicate, and the most intriguing relationships are those within a family.

The most important thing for me is the image, not the thought.

Everything that fed my energy and imagination is something that I'm disinclined to speak about.

Some actors come to casting and ask me, "Didn't you see my previous roles?" We do not work with actors like this. Their previous roles do not matter; I need the actual work with an actor in this particular character that has been written in our script. What matters is flexibility, believability and efficiency of an actor.

Observing life, living through it. As you experience life some events call upon you to suffer through them and that's what brings inspiration.