Nevertheless, in the theatre, and in the cinema, the contemporary reality of Poland has been represented only to a minuscule degree in the last 12 years.

It was progressively more difficult to find work in the theatre, as well.

Television theatre, as is implied in its name, should rely on adaptations of scripts written for the theatre.

There is no filmmaking legislation because distributors are not interested in sharing their money with the film industry - for instance, by giving a percentage of ticket sales back to filmmakers.

In the first years after the systemic transition, our screens showed American entertainment that had not been available before, or had been available only sporadically.

In Europe, there is no television filmmaking legislation that could assist film production because private broadcasters are not interested in supporting Polish film.

However, that old mode of Polish filmmaking virtually disappeared.