It's hard for me to shut off my writer brain completely.

I like it when shows end intentionally, and Review, especially, has such a long form narrative that it feels like you need to give it a thoughtfully constructed finale.

There's a way of doing comedy that feels true to the person doing it, that doesn't feel like clown-work or silly faces and antics, but that feels real - like you're playing a real person who has real thoughts and feelings, and it's very grounded. I started to watch all comedy through that prism.

I am, like anybody else, full of contradictions and personality traits, and I don't know which ones to speak from as a stand-up or what aspects of myself to ask an audience to identify with.

I probably have the most fun on projects where there's some room to improvise.

I really enjoy just being an actor. It's fun to be surprised by someone else's writing and to collaborate in creating a character and to leave all the hard decision-making to some other room full of suckers!

I write and rewrite and memorize, and then inject my performance with improvising and spontaneity, because if something feels too rehearsed, it's not going to be fun.