I am, like anybody else, full of contradictions and personality traits, and I don't know which ones to speak from as a stand-up or what aspects of myself to ask an audience to identify with.

There were times that I would be drunk and just leave a place by myself because I had an impulse and wasn't thinking through the repercussions on others.

When you're in front of an audience, you know if it didn't work. I get very nervous and have a fear of failure that is much more profound than in the podcast world.

I prefer not to wink out from behind the character as myself, saying to the audience, "It's just me here, right, guys?" Peter Sellers is my model, and he didn't do that - he wore his character from head to toe.

I like it when shows end intentionally, and Review, especially, has such a long form narrative that it feels like you need to give it a thoughtfully constructed finale.

There's a way of doing comedy that feels true to the person doing it, that doesn't feel like clown-work or silly faces and antics, but that feels real - like you're playing a real person who has real thoughts and feelings, and it's very grounded. I started to watch all comedy through that prism.

When you're coming up with your philosophy and approach to performing comedy, you take special note of the things you disagree with as much as the things you agree with.