When you're coming up with your philosophy and approach to performing comedy, you take special note of the things you disagree with as much as the things you agree with.

I probably have the most fun on projects where there's some room to improvise.

If there's one big thing you can take from Amy Poehler as a performer, it's committing, full on.

When you're coming up with your philosophy and approach to performing comedy, you take special note of the things you disagree with as much as the things you agree with.

If anything, in the podcast world, I'm relieved that I don't have to dress like the character. I don't necessarily have to do all of the physicality that conveys the character, but do as much as I need to help me feel like the character.

There's a way of doing comedy that feels true to the person doing it, that doesn't feel like clown-work or silly faces and antics, but that feels real - like you're playing a real person who has real thoughts and feelings, and it's very grounded. I started to watch all comedy through that prism.

It's hard for me to shut off my writer brain completely.