I have six acres in front of my own house, which I very rarely work on. Most of the work occurs on farmers' fields around me. And I like the discipline of working on other people's land.

Snow provokes responses that reach right back to childhood.

The things that I make are that which a person will make. They're not meant to mimic nature. They are nothing but the result of a hand of a person.

The difference between a theatre with and without an audience is enormous. There is a palpable, critical energy created by the presence of the audience.

I think that any sculpture is a response to its environment. It can be brought to life or put to sleep by the environment.

Stones are checked every so often to see if any have split or at worst exploded. An explosion can leave debris in the elements so the firing has to be abandoned.

Once the fired stone is out of the kiln, it is still possible to mentally reconstruct it in its original form.