I'm cautious about using fire. It can become theatrical. I am interested in the heat, not the flames.

The things that I make are that which a person will make. They're not meant to mimic nature. They are nothing but the result of a hand of a person.

Abandoning the project was incredibly stressful after having gone through the process of building the room, installing the kiln, collecting the stones, sitting with the kiln day and night as it came to temperature, experiencing the failures.

The essence of drawing is the line exploring space.

I love the winter. Well, I love all the seasons, but the winter is possibly one of the most intense.

When I do the permanent projects or the big projects, when a work is finished, that's the beginning of its life.

I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work.