It's just that when I work on someone else's land, it makes me aware of the social nature of that landscape.

The first snowball I froze was put in my mother's deep freeze when I was in my early 20s.

Ephemeral work made outside, for and about a day, lies at the core of my art and its making must be kept private.

The main reason I went to digital was because I got time-lapse, video, and still images all in one camera. Having a minimal amount of gear is really important for someone who wants to walk around. That allowed me to have this flexibility to document things in different ways.

When I’m working with materials it’s not just the leaf or the stone, it’s the processes that are behind them that are important. That’s what I’m trying to understand, not a single isolated object but nature as a whole.

I just see myself as an object in the final image. I know I'm experiencing it when I'm there working on it. I'm there to be worked with, as anything else that I work with.

Even in winter an isolated patch of snow has a special quality.