I'm not a performer, in that I don't like the public, but I work in that respect.

Time gives growth, it gives continuity and it gives change. And in the case of some sculptures, time gives a patina to them.

The early firings contained many stones.

I've laid down in dried up streambeds, leaving a shadow. And then, five minutes later, it's flash flooded, and where I once laid is now running water, which would've washed me away, you know? There's that power and danger often in places that look so calm and pastoral to begin with.

I love the winter. Well, I love all the seasons, but the winter is possibly one of the most intense.

Complete control can be the death of a work.

I have to understand the nature of change. And I cannot just work with stone or the more permanent materials. I need to work with leaves and ice and snow and mud and clay and water and the rising tide and the wind and all these.