Genndy [Tartakovsky] is so good at directing and so wonderful with animation.

I remember my dad turning to me - my dad loves to turn to me and explain why things are funny. He used to do that with Seinfeld all the time. He did it with Colombo, too, set the scene.

When you work with people and are friends with them also, you have more of a shorthand. I think people relax more and it opens the door to being less precious and trying things that, when you're shooting and writing, it becomes much more collaborative - therefore funny, hopefully.

My mom let me kind of run free and be rowdy. She encouraged it. I'm a youngest child. So I was spazzy and trying to be funny to my older sisters. It's kind of my role in the family - tension reliever. I was funny or annoying, depending on your perspective.

Part of why I think I have so much fun working in the mockumentary genre is that you can cut to pretty much anything at any time. People are now so conditioned to watch documentaries - they know how they operate, and that you can introduce a new character by cutting to them, and now they're in it. Similarly, being able to treat a sidebar idea that has nothing to do with your main story really seriously, the way the rest of it is being treated - all the pomp and circumstances lend themselves, I feel, to making comedy feel really earned and funnier and weirder.

No matter how much it's growing, the Internet still is a pretty specific demographic. It doesn't necessarily represent the general populace.

I didn't realize how much people liked to bash SNL until I was on. I've always just liked it, and I've always watched it and been into it.