When you work with people and are friends with them also, you have more of a shorthand. I think people relax more and it opens the door to being less precious and trying things that, when you're shooting and writing, it becomes much more collaborative - therefore funny, hopefully.

If I was any more on edge, I'd be Bono.

I'm a tearless clown. If I were to get a tattoo, it would be the two masks, and they would be both smiling.

People will tell me, "Oh, my kid watches your show on their iPad, over and over again until they memorize." And I'm like, "Wow, I was that kid watching other shows. That's the coolest!"

A sign now of success with a certain audience when you do a short comedy piece, anywhere, is that it gets on YouTube and gets around. It's always something you're thinking about unconsciously.

I do really like doing animated movies. I like watching animated movies, and I always have. That's something I didn't let go of, from when I was a kid. It's always exciting for me to get to do that. Animated movies are so rarely bad.

I remember my dad turning to me - my dad loves to turn to me and explain why things are funny. He used to do that with Seinfeld all the time. He did it with Colombo, too, set the scene.